If youâve never heard of Soil & âPimpâ Sessions, try and imagine what they sound like just from their name. Did you guess at âdeath jazzâ (their term) made by a Japanese sextet? Of course you did. The group are well-known on the jazz scene in Tokyo, where they started out in 2001 before going global in 2004 with their critically acclaimed debut album, Pimpinâ. The BBCâs Gilles Peterson has always been a supporter, playing tracks from Pimpinâ (Waltz for a Goddess, A Wheel Within a Wheel) on his Worldwide show and inviting them to play his clubnight in London back in 2005. In the same year, they won the John Peel Play More Jazz Award at Petersonâs annual Worldwide Awards.
Soil & âPimpâ Sessions are a prolific group, releasing an album a year since 2004. And thereâs no better introduction to the group than seeing them live at Glastonbury. To say theyâre energetic doesnât do them justice - theyâre exhilarating, intense and immense; the very definition of an explosive modern jazz group.
If youâve never heard of Soil & âPimpâ Sessions, try and imagine what they sound like just from their name. Did you guess at âdeath jazzâ (their term) made by a Japanese sextet? Of course you did. The group are well-known on the jazz scene in Tokyo, where they started out in 2001 before going global in 2004 with their critically acclaimed debut album, Pimpinâ. The BBCâs Gilles Peterson has always been a supporter, playing tracks from Pimpinâ (Waltz for a Goddess, A Wheel Within a Wheel) on his Worldwide show and inviting them to play his clubnight in London back in 2005. In the same year, they won the John Peel Play More Jazz Award at Petersonâs annual Worldwide Awards.
Soil & âPimpâ Sessions are a prolific group, releasing an album a year since 2004. And thereâs no better introduction to the group than seeing them live at Glastonbury. To say theyâre energetic doesnât do them justice - theyâre exhilarating, intense and immense; the very definition of an explosive modern jazz group.

