BBC Review
Latin craziness, live and direct!
Sophie Bruce2007
TecharĂ Live, the new album from Barcelonians Ojos de Brujo, sets expectations high. Itâs a live concert disc of their hit album TecharĂ recorded in their home town, on the final night of their 2006 tour, three days before Christmas. On paper it has epic written all over it, and it doesnât disappoint.
This is technically the sixth album from the eight piece collective (their name translates into English as âwizardâs eyesâ) - although like two before itâs a reworked version of a previous album.
So what do you get for your money? Lots of flamenco guitar, some bongo drums and a sprinkling of piano. Marinaâs vocals are often brilliantly, mind-blowingly fast; like on track nine âTodo Tiendeâ. Their hip-hop flamenco style boasts a very varied range â lyrics in Spanish, Greek and English, Indian vibes and a Romany album title (meaning âfreeâ). You can see why a previous reviewer labelled their sound âan eclectically brilliant gipsy stewâ.
The album benefits from being a concert recording â the set list was clearly designed to thrill a crowd. It opens with a bang (âRespiraâ or âIt Breathesâ) and closes with the epic âNanaâ, though the highlight for many will be track three - an outstanding cover of Bob Marleyâs âGet Up, Stand Upâ. OdB have reworked it so that the original reggae essence benefits from a spicy helping of flamenco salsa.
Mind you, for such a flamenco-heavy album, there is a good degree of variety in the songs. Some, like âPiedras Contra Tanquesâ, zing with energy and frenzied pace. Conversely
âNo Somos MĂĄquinasâ (âWe Are Not Machinesâ) has such a gorgeously lazy start it could almost be lounge music â albeit that of a very funky cocktail bar. And âTodo Tiendeâ is the ultimate in sultry chill-out.
Itâs easy to see why the original album earned the band a Latin Grammy nomination. And with a DVD of the live performance included, thereâs not a lot to dislike. OdBâs vibes are so far from Ricky Martin that even staunch Latin sceptics might find their feet unconsciously tapping out a flamenco on the floor. PorquĂ© no escuchar?
