BBC Review
...If Mercer could just control his penchant for the obscure, The Shins would...
Richard Banks2007
When Natalie Portman declared 'you gotta hear this song, itāll change your life' in Zach Braffās Garden State (2004), nobodyās lives changed more than The Shinsā. Before Hollywood cottoned on, the Albuquerque four-piece were idling along quite nicely as cult indie hopefuls with their debut Oh, Inverted World (2001) and solid follow-up Chutes Too Narrow (2003). The worldās been waiting expectantly ever since.
The trouble is, delivering a life-altering third album to satisfy both the mainstream Johnny-come-latelys and the shoe-gazing devotees isnāt the easiest of tasks. Little wonder, then, that itās taken so long.
Thereās a fine line between poetic and puzzling, and frontman James Mercerās impenetrable lyrics see him tripping over it all too often. Faced with mystifying lines like āout of a gunnysack fall red rabbits, into the crucible to be rendered an emulsionā, itās difficult to form the kind of emotional attachment to Wincing The Night Away that so many did with The Shinsā previous efforts. As is often the case with Mercerās writing, thereās barely a chorus in sight, which makes this a jilting listen at first.
Eventually, though, familiarality comes with the recognition of surprising chord changes, insistent melodies and unexpected shifts in direction (see opener āSleeping Lessonsā). When they get it right, the results are superb. Distilling the essence of Belle and Sebastian and Death Cab For Cutie into one, the band hit upon a truly invigorating blend of power-pop on āPhantom Limbā and āAustraliaā.
Sadly, Joe Chiccarelliās production is hit and miss. In places, the albumās over-polished veneer only serves to make it even less accessible. Elsewhere he conjures some remarkable sounds, nowhere more so than on āRed Rabbitsā, where the keys splash and echo like drips in a watery cave.
Taken as a whole, Wincing The Night Away is not a welcoming record; with the exception of two or three songs, itās cold, uninviting and awkward. But, if Mercer could just control his penchant for the obscure, The Shins would undoubtedly be a band to treasure.

