
Can you hear me now?
Experimental music including Ruth Morley's Reef, Karen Power's Can you hear me now? and a work for worldless chorus written in response to the Russian invasion of Ukraine.
Tom Service introduces some of the latest sounds in new music including Aletheia, a work for wordless choir, by the Lithuanian composer Žibuoklė Martinaitytė. Written following the Russian invasion of Ukraine, she says: 'Voice is our first and the very last instrument we have in our lifetime.... from the very first baby’s scream until the last breath and whisper...I was imagining that the only instrument people have even in situations of destruction, in the midst of war, is their VOICE.' Also in the programme is the premiere at Aberdeen Sounds of Ruth Morley's Reef, her reaction to the discovery by marine biologists that 'Damaged reef systems will regenerate faster when recordings of a healthy reef are played in the area.' And also from Aberdeen Sounds comes Karen Power's Can you hear me now? a work solo viola composed to sit within Karen Power's Polar Soundings installation at the entrance to city's Academy Shopping Centre. This multi-channel installation featured recordings captured during the composer's decade-long quest to listen above, below and inside the ice in the North and South Poles.

