Episode details

Available for 27 days
Donald Macleod talks to Thomas Adès about the music that first propelled him to stardom, while still in his twenties - the composer’s first opera, Powder Her Face. They also discuss Adès's early years and the influence of his parents on his his creative path, and Thomas recalls the emotional impact of his very first encounter with opera in the music of Bizet’s Carmen. Hotel Suite from Powder Her Face (Overture) Finnish Radio Symphony Orchestra Nicholas Collon, conductor Gefriolsae Me, Op 3B Choir of King’s College Cambridge Robert Quinney, organ Stephen Cleobury, director Arcadiana (excerpt) Calder Quartet Chamber Symphony Birmingham Contemporary Music Group Thomas Adès, conductor …but all shall be well City of Birmingham Symphony Orchestra Thomas Adès, conductor Powder Her Face (Act 1, excerpt) Valdine Anderson (Waitress), soprano Almeida Ensemble Thomas Adès, conductor Produced by Luke Whitlock
Programme WebsiteTracklist
- TrackArtist
- 1.Hotel Suite from Powder Her Face (Overture)Hotel Suite from Powder Her Face (Overture)Thomas Adès
- 2.Gefriolsae Me, Op.3bGefriolsae Me, Op.3bThomas Adès
- 3.Arcadiana (5th & 6th mvts)Arcadiana (5th & 6th mvts)Thomas Adès
- 4.Chamber SymphonyChamber SymphonyThomas Adès
- 5....but all shall be well...but all shall be wellThomas Adès
- 6.Powder Her Face, Act 1, Sc 3: Fancy Aria & InterludePowder Her Face, Act 1, Sc 3: Fancy Aria & InterludeThomas Adès