Episode details

Available for 27 days
Donald Macleod talks to Thomas Adès about his second opera, based on Shakespeare’s The Tempest, and the unique creative process of writing for the stage. They also discuss the impact of the immense acclaim that followed the success of his first opera, Powder Her Face, and the the significant influence of another composer upon Adès - the Hungarian György Kurtág. Living Toys (Angels) London Sinfonietta Markus Stenz, conductor [shtents] Still Sorrowing (excerpt) Thomas Adès, piano Powder Her Face (Act 2, excerpt) Jill Gomez (Duchess), soprano Roger Bryson (Hotel Manager), bass-baritone Almeida Ensemble Thomas Adès, conductor Asyla City of Birmingham Symphony Orchestra Simon Rattle, conductor Concerto Conciso (excerpt) Birmingham Contemporary Music Group Thomas Adès, conductor The Tempest (Act 2, excerpt) Simon Keenlyside (Prospero), baritone Ian Bostridge (Caliban), tenor Philip Langridge (The King of Naples), tenor Donald Kaasch (Antonio), tenor David Cordier (Trinculo), countertenor Jonathan Summers (Sebastian), baritone Graeme Denby (Gonzalo), bass Royal Opera Chorus The Orchestra of the Royal Opera House, Covent Garden Thomas Adès, conductor Produced by Luke Whitlock
Programme WebsiteTracklist
- TrackArtist
- 1.Living Toys (Angels)Living Toys (Angels)Thomas Adès
- 2.Still Sorrowing (excerpt)Still Sorrowing (excerpt)Thomas Adès
- 3.Powder Her Face, Act 2, Final scene (excerpt)Powder Her Face, Act 2, Final scene (excerpt)Thomas Adès
- 4.AsylaAsylaThomas Adès
- 5.Concerto Conciso (3rd mvt)Concerto Conciso (3rd mvt)Thomas Adès
- 6.The Tempest, Act 2, Sc 2: Friends don't fearThe Tempest, Act 2, Sc 2: Friends don't fearThomas Adès