BBC Review
This is music for lazy days in the park, late night trains, and small gatherings with...
Angus Taylor2007
Little Dragon are four school-friends from Gothenburg who play sparse, quirky, genre-bending music around singer Yukimi Naganoâs eerie yet heartfelt tones. This is sure to lead to comparisons with Bjork, as well as Kate Bush, but there is also a soul element to their sound (the progressive end, like Shuggie Otis or Prince; the level of whimsy on display here would not impress fans of say Ann Peebles) as well as touches of jazz and 80s pop.
Their eponymous debut starts with a ballad, âTwiceâ, a lilting but authoritative piano piece which turns on a distinctive sliding bass-line, before wandering into experimental dance (i.e. not very danceable) on the aptly named âTurn Leftâ. The soul influences donât appear until track three, a small hours groove called âNo Loveâ, but remain through the funky minimal âRecommendationâ, and the slack, syncopated âConstant Surpriseâ.
Other ingredients feature in this musical smorgasbord too: âForeverâ has some 80s digi dub sub bass, âAfter The Rainâ skips along to jazzy high hat before arpeggiating wildly at the end, while âA Place To Belongâ combines cascading synths with a murky, mildly threatening bass, and an unpredictable melody that just pulls back from noodling indulgence.
The pace picks up for âTestâ, (their most danceable track, to a classic Prince style echoing phased drumbeat) and âWinkâ which finishes with some enjoyably silly synth and vocal interplay; before coming to rest with âScribbled Paperâ - all pizzicato, jazz brushes and double bass.
The production hovers between trippy and minimal, refusing to commit; the trendy âbedroomâ sound eliminating any grandiosity which might have rendered this record âout ofâ rather than of its time. Something tells me theyâre a lot stronger and funkier live.
So while not as original as the hype suggests â Shuggie Otis did much of this decades ago to a funkier beat - Little Dragon have some nice songs and are experts in creating moods which are both ambivalent and poignant at the same time. This is music for lazy days in the park, late night trains, and small gatherings with close friends. A subtle âgrowerâ and a promising start.
