BBC Review
Old rubber lips' solo moments, collected in one handy package!
Chris Jones2007
Sir Michael Philip Jaggerâs solo career has, pretty much like that of his other Glimmer Twin: Keith Richards, been a little underwhelming. Maybe itâs because his full-time, day job band are really where his heart lies, or maybe itâs because he doesnât need the money, the fact remains that these collected highlights show a man whose solo work is a lot finer that received wisdom tells us.
With only four albums to his be-knighted name since 1985, old rubber lipsâ forays into the studio have usually come at times when he and Keef werenât getting along too well. He claims in recent interviews that his muse suddenly kicked in the 80s and he felt he HAD to make his own statements, but these tracks are mainly of the standard hard blues-rocking variety that sees little opportunity for soul bearing or self-examination. If you bought any of the albums from Sheâs The Boss to Goddess In The Doorway you didnât expect mellow introspection. Instead you got hell-for âleather subââJumping Jack Flashâ rockers like âPut Me In The Trashâ, funked-up falsetto discothons like "Sweet Thing" or plaintive blues such as "Donât Tear Me Up". None of this was a bad thing.
And while Sir M never re-invented the (steel) wheel with this stuff, he still managed to make some classics. "(You Gotta Walk And) Donât Look Back", with Peter Tosh, remains a reggae-lite crowd-pleaser, and the real gem here has to be his superb âMemo From Turnerâ taken from Nick Roegâs Performance: A record on fire with Ry Cooderâs snaky slide.
Unfortunately his other musical film work (Ruthless People? Alfie??!!?? Presumably executed with a savvy eye on the increased returns to be had from such licensing deals) is less prestigious. His choice of co-conspirators is also often suspect when shorn of Keefâs support. The opener with Lenny Kravitz, "God Gave Me Everything" is relentlessly brain-dead and letâs not even go near the 80s charity disaster with David Bowie that is âDancing In The Streetsâ, eh?
But overall this is a solid compilation, showing us that even if he really needs the Stones to shine, his voice remains a thing that deserves its legendary status. Arise, Sir MickâŚ
