BBC Review
This is a fine memorial to Freddie Mercury, the solo artist.
Chris Jones2006
Irony abounds in this collection of the highlights from the former Farrokh Bulsaraās solo career. His main meal ticket, Queen, offset his tendency towards flamboyancy with their brand of sub-Zeppelinesque bombast. Yet, when left to his own devices Freddie was free to channel his innate pop tendencies into - letās face it - some of the campest records ever made. Tremendous fun it all is, too.
Considering that Freddie only made two solo albums (one with diva, Montserrat CaballĆ©) it seems remarkable that Parlophone have managed to squeeze a double album out of them. That is until you realise that disc two consists of remixes and extended versions. But griping aside, itās obvious that Mercury was not only in possession of a fine voice but also songwriting skills that easily withstood the removal of Brian May et alās support. All the big hitters are here including his self-mocking rendition of the Plattersā āThe Great Pretenderā; a slew of dancefloor greats from Mr Bad Guy (including the mighty āLiving On My Ownā) and his Giorgio Moroder-produced electro-stomper, āLove Killsā (the only good thing to emerge from the woeful āremixā of Fritz Laingās Metropolis).
While his later ventures into popular opera may not be so convincing, this is a fine memorial to Freddie Mercury, the solo artist. Still sadly missed...


